| 1 |
Biopolitics in A Journal of the Plague Year
|
김재철
|
421~437
|
0
|
| 2 |
The Implosion of Irish Elegy: Paul Muldoon’s “The More a Man Has, the More a Man Wants”
|
김연민
|
439~461
|
0
|
| 3 |
The Power of Absence: Derrida, Lao Tzu and Shelley’s “To A Skylark”
|
Ning Yizhong
|
463~481
|
0
|
| 4 |
The Sham and the Fanatic: Conrad’s Anarchists in “Ironic,” “Desperate,” and Simple Tales
|
길혜령
|
483~502
|
0
|
| 5 |
Language, Gesture, and the Task of Theatre: András Visky’s Dramaturgical Ethics
|
제레미 데니얼
|
503~521
|
0
|
| 6 |
Be My Boy: Polly Milton’s Female Empowerment and Marginalized Masculinities in Louisa May Alcott’s An Old-Fashioned Girl
|
김혜라
|
523~540
|
0
|
| 7 |
The Sound of Silence: The Idea of Pure Language in W. S. Merwin’s Later Poetry
|
이하람
|
541~564
|
0
|
| 8 |
Audre Lorde’s Zami: A New Spelling of My Name as an Autoethnography
|
강미영
|
565~583
|
0
|
