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This essay introduces feminist and queer interpretations of Ezekiel 16 and 23 and the Song of Songs and adds my readings. Queer criticism, a picky friend of feminism, offers newest interpretations through the codes of gender reversal, various sexual identities, and sexuality. The method observes that most interpretations thus far are heterosexual-centered. Queer reading finds gender reversal in the Ezekiel texts: The wife Israel is not weak; sexually and financially she is able and thus castrates and feminizes the husband Yahweh and the man Israel in real life. The interpretations of Ezekiel 23 thus have considered Yahweh as a heterosexual. But this essay see him as a queer. Yahweh does not seek revenge or punishment of the wife's lovers. Yahweh is very much interested in the men's body and sexuality more than the women's. The most striking part is when Yahweh refers them as pilegesh which is used to call women in other places in the Bible. This essay also finds gender reversal in the wife's lovers. They received money and gifts from the woman and thus played traditional women's role and became weak as they obeyed Yahweh's command to assault their old flame. The essay sees similarities between the women of Ezekiel and the Songs. Both break patriarchal norms and enjoy autonomy in family, finance, power dynamics between men and women, and subjectivity in sexuality.