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In the epistemological consciousness, the institutional theory of museum is outlined by the concept "visible history of art" which ruminates on the paradox that the attribute of art has been conditioned by historical atmosphere : un atmosphere of artistic theory. Therefore this most prominent institutional aspect of the definition is influenced indirectly by Christian von Mechel's vision. While we find that there is an ambiguity in the constitution of museum that art is a historical concept. In this respect our study can be considered as the hypothesis, contemplating the pollution of meaning theoria in his original sens.