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This paper aims at reading the poetry by Oh Jang-Whan with the semiotics. He discovered the nation subjects who were suffered during the colonial period. By denying and revolting the colony real, because he was exhibited the spirit of the times, we confirm that Oh Jang-Whan pursued post-colonialism for 'The literature of human existence.' The second chapter analyzes <The bathroom take a bath> which Oh Jang-Whan embarked on poetic activities with semiotic square(semantic rectangle) of Greimas. Because the work of poetry offers the sense of the time by Oh Jang-Whan, we may be read systematically the relation and framework of society for the whole poetry texts. This analysis extracts the <resistance-assimilation> seme as the basic structure of semiotic square. This basic structure discovers how he gazed the reality of our colony. The third chapter present the modernity that Oh Jang-Whan aimed at, as a result of applying poetic format to semiotic square of Greimas. Then the <resistance-assimilation> seme operate on the whole text. By applying the <resistance-assimilatio> seme to the whole text, this paper show post-colonialism which draws progressive modernness. As the text which the proletariat(character of realism) and the masses(character of modernism) are overlapped, Oh Jang-Whan's text inflects realism and modernism, and then appears strategy of post-colonialism.