초록 close

]Focusing on the conversion of a drama into a scenario at the level of written text before presented at the stage or on the screen, this paper examined the adaptation of <Come to See Me>(a play) into <Memories of Murder>(a scenario).Basic aspects of conversion from the one into the other are a phase adjustment of compositive elements on the "given circumstance," as well as a narrative impletion of both "given circumstance" and the "dramatic space" on the basis of experiences of a receiver, here a adapter as a second creator. Two texts' basic deferences are caused from the that of media between the drama and the scenario. In the drama <Come to See Me>, most of incidents beside one were explained by an inspector, Bak Dalho with slides at the end of the drama, but in the scenario <Memories of Murder>, the incidents were visually presented one by one following the time table, which making a climax structure. The most reformed part of the conversion is characters of two main casts, Taeyun and Duman, from the flat into the round, which demonstrates that the scenario's adaptation is mainly considered to be more 'dramatic'than the original. In fact, step by step did <Memories of Murder> stereoscopically configure the change of two main cast's characters. All the changes of <Memories of Murder> are resulted from the selection and exclusion based on the scenario adapter's thematic consciousness. Here, both the "given circumstance" and the "making stage space" of the dramatic sceneries are organically combined with the theme of the scenario.