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Every time it has been discussed about the character of Borges's literature, the core subject has been to make a close analysis of fantastic parts and to seize the lineage and the type of his novels. The massive concern and appraisal about Borges is attributed to his subversive thought about modernity that stimulated to the literary and critique world. The relation between Borges and films can be classified with three parts. Those are the sixteen film' reviews, two scenarios that came out from 'Sur', the magazine and two films that was produced with his short story. In this essay, it is analyzed the film' reviews of Borges and stated his direction about films. So far, Cozarinsky has standed alone about this subject and he collected various data of Borges that related with films and classified its types through his work, 'Borges sobre cine'. But his work is not a deep interpretation but a simple information. This essay is based on Borges's film' reviews that collected by Cozarinsky and it makes an analysis the sixteen film' reviews that published in the magazine, 'Sur' from 1931 to 1945. This essay is to explain the general relation between Borges and films, and to analyze Borges' argument about films.