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Edgardo Cozarinsky is a argentine film director and writer influenced by J.L.Borges. As a writer he can be grouped as a generation of postboom with a postmodern tendency. Vud urbano(Urban Voodoo) is his first and most famous collection of short stories that shows the typical characters of postmodern aesthetics. We find that the key point among that characters is the fragmentation which could be classified in three levels: the formal, the historical and the mental. First, the writer considers his stories as postal cards without any coherence. The writing as postal cards is a mere collage of fragmented images that resists an ambition for totalization. Second, Cozarinsky reduces the History into a mere fiction through a fragmentation. The history is nothing but a verbal play. This interpretation of history reflects a ‘decanonization’ of the meta-narratives, the main target of the postmodernism. Last, the fragmentation causes an emotion of exiles, because exile is a marginalization from the center and origin. The consciousness of exile reflects a mentality of the postmodernists that are nomads without any place of rest.