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In this study, the beauty of the form of TV drama was examined. At the first step of planning, it was proposed that the beauty of form of TV drama could be explored on a general dimension by thoroughly analysing TV drama, but the conclusion was somewhat imperfective because of the essence of TV drama itself in terms of the potential variation of the language of the genre. It was proposed to bring out the symbolic frame of beauty representing through a picture and to inspect the formula of expression which the rhetoric and implicative elements in the literal medium are adapted to TV drama. However, it was consequently confirmed at the final step that the fundamental rule of the essence of the beauty could be understood in an established form of image. It was examined that the formation of adaptation focusing on the structure of narrative, the technique of camera, the creation of space, the colour sense, music and sound and the reconstructed scenes by scrutinizing the 3 texts adapted for TV drama, especially TV literature(TV MunHak-Kwan). Hence, it could be recognised that the importance of the flashback scenes for this adaptation as well as the significance of the method of shaping inner consciousness of a character for the image.