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This study analyzes the organic view of the world reflected in Lee Sang’s Poem from the pespective of taboo and violation. Although Lee Sang’s attitude toward the inorganic world seemed to be based on the recognition of the inner contradiction of reasonable truth system focusing the modern metaphysics, his real view was based on the realm of the pure idea. His perspective toward the organic world was fixed on the realm of daily life. The negation and criticism against his works was based on the principles of taboo and violation of the daily life. Theses perspectives are well reflected as an erotic aesthetics in the text. The description of death and sexual impulse as a destruction and violence in his poems can be explained with this analysis. This study attempts to focus on his taboo and violation concepts which are closely related with our daily lives.