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The thesis is to analyze various images of water in the poems of Pak Mokwol, ranging from <Anthology Cheong Rok(靑鹿集)> to <Moosoon(無順)>, and to understand their implications. Images of water in the poems are divided into three; richness, tribulation and spirit. Each of them has its own characteristics and poetic thinking. Water of richness has its root in nature where everything is sufficient and is described as a source of a life. It is embodied in flexible and dynamic images. The richness is also related with maternity, thereby materializing creativity. Water of richness is a significant component of a harmonious, ideal place that the poet pursues.Water of tribulation is described as dried, standing or frozen water, which all implicate poor conditions of lives. These images, in turn, serve as effective tools to put the agony of poetic selves into sharp relief.Water of spirit serves as a medium of driving emotional freshness or finding the existence of self. It is embodied in diverse patterns of variation of water. Various images of water including ink demonstrate the act of writing poems, thereby implicating spiritual transcendence.The three images of water have significant implications in the poems of Pak Mokwol.The poet seeks to build the balanced perspective needed to look into ideal and reality thoroughly through water of spirit. The fact that the various images of water are well reflected in his all poems proves that he has constantly recognized the gap between ideal and reality and pursued creative spirit to overcome the gap. The poet pursues an ideal place while maintaining a straightforward perspective to confront dismal realities. This perspective, in turn, leads to the determination to satisfy the thirst through the image of water of spirit that the poet feels in his gloomy reality.